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Vincenzo Marchese Ragona is a London-based interdisciplinary designer investigating the discipline of visual communication across mediums and technologies.

For projects and collaborations please reach out to work[at]vmragona.com

Selected clients:
Apple
Nike
Google
Spotify
Sundance

Studio experience:
20202021 Monotype
20212023 CC Studio
2023—2024 Porto Rocha

Talks, Press & Workshops:
2024 Two Times Elliott
2023 Ravensbourne University
2023 Winchester School of Art
2022 Creative Review
2022 New Aesthetic 3
2021 Ravensbourne University
2021 Adobe Discovery
2021 Fedrigoni 365
2021 LiveTalkFrom
2020 I-D Magazine Italy
2019 Page Design
2019 Typography for Screen

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"The Martyrdom of Saint Catherine", Albrecht Dürer
WIP "september 1959"
Enjoyed Pino Pascali retrospective at Fondazione Prada
research for upcoming branding project

“It is said that before entering the sea

A river trembles with fear.

She looks back at the path she has travelled,

from the peaks of the mountains, the long winding road crossing forests and villages.

And in front of her, she sees an ocean so vast, that to enter there seems nothing more than to disappear forever.

But there is no other way.

The river can not go back.

Nobody can go back.

To go back is impossible in existence.

The river needs to take the risk of entering the ocean because only then will fear disappear because that’s where the river will know it’s not about disappearing into the ocean, but of becoming the ocean.”

"Becoming the Ocean", Khalil Gibram
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Sundance Film Festival
Motion Design

Brought to life the Sundance Film Festival 2022 visual identity. Designed in-house by The Sundance Institute. Our motion experiments were inspired by Jazz posters from the 1960s and Saul Bass, who created some of the most iconic film posters of the 20th century. Using 3D technologies to create a 2D playground.

Credits
Creative Direction
CC Studio
Creative Direction
Studio Lowrie